MEG 012 key facts at a glance
- Course: MEG-012: A Survey Course in 20th Century Canadian Literature
- Programmes: Master of Arts (English), MEG / MAEG, and Post Graduate Diploma in New Literatures in English (PGDNLEG)
- Syllabus: 8 blocks, 32 units
- Exam: 100 marks, 3 hours, answer any 5 of 8 questions, 20 marks each
- Guess paper: 19-page PDF, 15 solved questions, 16 pages of answers
- Papers analysed: 6 term-end papers, June 2023 to December 2025
- On this page: 5 sample answers; the other 10 are in the full file
- Order on WhatsApp: 9899436384
MEG 012 Solved Guess Paper 2026 gives IGNOU MA English learners 15 exam-style questions with full model answers for A Survey Course in 20th Century Canadian Literature. We built it by reading six term-end papers, June 2023 to December 2025, and tying every repeat topic back to its block in the IGNOU book.
Canadian literature is the paper where a lot of MEG learners feel stretched. Three novels, a play, a poetry survey, a set of short stories and two major critics all compete for one three-hour exam. This file narrows that load to the answers that keep coming back, and five of them are on this page for you to judge before you order.
1. What Is Inside the MEG 012 Solved Guess Paper
The file is a 19-page PDF with 15 solved questions of about 450 words each, covering all eight blocks of the MEG 012 book, plus exam rules and a topic frequency grid.
Every answer follows the same exam-friendly shape. It opens with a short quoted definition or critical line from the course material, moves into numbered points under clear sub-headings, and closes with a two-line conclusion you can reproduce under time pressure. Each question card also shows its block, a HIGH or MEDIUM priority tag and the sessions in which that topic was asked.
The coverage is spread on purpose. Surfacing, The Tin Flute and The English Patient get two answers each because they have been asked in every paper we checked, while the poetry, short story, drama and criticism blocks get one or two answers pitched at the angles examiners actually use.
Writing more than one paper this term? Our MAEG guess Paper collection groups the other MA English courses in the same format, so your revision style stays consistent from one exam to the next.
2. 5 Sample Questions with Answers from the MEG 012 Guess Paper
These 5 answers are taken from the paid file, one each from Blocks 3, 4, 5, 7 and 8, so you can check depth and language before you order the remaining 10.
Read one of them against your own notes. If it saves you time and says what the examiner wants to see, the other ten will do the same.
Margaret Atwood as a feminist writer in Surfacing
Question: Examine Margaret Atwood as a feminist writer with reference to Surfacing, a novel which deals with feminism and anti-Americanism.
Atwood's essays collected in Second Words (1982) reflect her attitude to sexism and feminism, ecology and exploitation; these issues continued to engage her attention and provided grist to her novels.
Margaret Atwood was born on 18 November 1939 in Ottawa. Surfacing is a richly textured novel whose themes include feminism, environmentalism, anti-Americanism, Canadian identity, civilisation versus primitivism, filial relations and Indian elements such as shamanism.
Feminism in the novel
- Patriarchy: The narrator is tied to her father and feels inadequate without him, a sign of a patriarchal order in which a father or husband becomes part of a woman's identity.
- Religious break: Atwood is radical here, favouring a break with the Biblical tradition and urging women to shape their own theology out of lived experience.
- Self-discovery: Through her ordeal the narrator gains an identity of her own and becomes a complete human being.
Anti-Americanism in the novel
- Cultural colony: Canada risks losing its identity as its culture is Americanised; it remains a cultural colony of its former rulers.
- The narrator's anger: She says it is the Americans she hates, meaning people of any sex who have turned against the gods of nature.
- Critical view: The critic Jaidev notes that Americans are shown as people set against innocence, nature and life-giving gods, spreading like a virus into weaker cultures.
Conclusion: Surfacing confirms Atwood as a feminist writer. It links the narrator's search for identity to a critique of patriarchy, while its anti-Americanism defends Canadian cultural and natural integrity against cultural imperialism.
Realism and naturalism in Gabrielle Roy's The Tin Flute
Question: Write an essay on Gabrielle Roy's use of realism and naturalism in The Tin Flute and comment on the novel's themes.
Roy is a realist par excellence and a naturalist par excellence, the best realist-naturalist novelist from Canada whose original writing was in French.
Roy's social concern is immense and her commitment to the artist's vocation is complete. In some ways she is Joyce and Dickens combined in one writer.
Features of her realism
- Photographic realism: Every figure in the picture gets its proper name, and the St. Henri district of Montreal is recorded the way Joyce recorded Dublin.
- Joyce and Dickens: She immortalises a part of Montreal in the realist manner of Dickens, but without his sentimentalism.
- Naturalist truth: She does not shy away from squalor and ugliness; she tells life as it comes and still upholds human values.
- The French angle: Her work foregrounds the pitiable condition of the poor people of Quebec.
Themes of The Tin Flute
- The little people: The novel follows ordinary Montreal families and shows how the Depression and the Second World War shape their lives.
- Poverty of St. Henri: The poor, French-speaking suburb of St. Henri is a grimy factory district where few men can find work.
- Courage and camaraderie: The courage, fellowship and perseverance of the underprivileged are stressed throughout.
Conclusion: Through photographic realism and unflinching naturalism, Roy immortalises the poor of St. Henri, recording their hardship and their courage in a harsh urban-industrial society.
The English Patient as a modernist and postmodernist novel
Question: "The English Patient is a modernist novel." Do you agree? Discuss its modernist and postmodernist elements.
Ondaatje's The English Patient is a modernist work, adopting an approach to the writing of the novel which questions the realist conventions of the 19th-century European novel.
The novel brings four people together in a villa near Florence at the close of the Second World War: Almasy, the "English" patient; Hana, the young nurse; Caravaggio, the thief; and Kirpal Singh, the Sikh sapper known as Kip.
Modernist elements
- Anti-realism: It questions the realist conventions of the nineteenth-century novel while still handling the historical reality of the war.
- Elastic time: Time moves back and forth across the years, and the narrative leans heavily on flashback, montage and memory.
- Self-conscious language: Language is examined closely to expose the choice and artifice involved in making meaning.
Postmodernist elements
- Theory: The novel sits well with poststructuralist ideas of identity (Lacan), signification (Derrida) and undecidability (Paul de Man).
- Postcoloniality: Canada, Italy and India meet in the villa, and the closing pages move to Amritsar, bringing in diasporic consciousness.
- Intertextuality: It is self-reflexive, looks back to Ondaatje's earlier novel In the Skin of a Lion, and keeps shifting perspective.
Conclusion: In technique the novel is largely modernist, with elastic time, memory and self-conscious language, while its themes of identity, desire, forgetting and fluidity are largely postmodernist.
Theme and dramatic technique in The Ecstasy of Rita Joe
Question: Discuss the thematic side of The Ecstasy of Rita Joe and George Ryga's dramatic technique as it emerges in the play.
The theme of The Ecstasy of Rita Joe is the destruction of an Indian woman by the urban white society and the general apathy of Canadian whites towards Native Indian Canadians.
A song line that returns through the play, about God playing a joke on Rita by giving her a job in the city, keeps this theme in front of the audience.
Thematic concerns
- White apathy: The Magistrate stands for white society; he refuses to see Rita's real suffering and applies the law rigidly.
- A false image: The Magistrate, the Teacher and Mr. Homer together build an image of Rita as a vagrant, a prostitute, lazy and a thief.
- Helplessness: Jaimie Paul protests loudly but fares no better, and Rita's father is weak, stressing the dead-end nature of Native Canadian life.
Ryga's dramatic technique
- Brechtian influence: The German dramatist Bertolt Brecht shapes part of Ryga's method.
- Expressionism: Ryga uses the exaggeration and distortion of early twentieth-century Expressionist drama to unsettle the viewer.
- Theatre of Cruelty: A touch of Antonin Artaud's Theatre of Cruelty shocks the audience through violence and distortion at a subconscious level.
- Allegory: Characters are often presented in black-and-white allegorical shades, dramatising what goes on inside their minds.
Conclusion: The destruction of a Native woman by an indifferent white society is carried by an eclectic technique that blends Brechtian, Expressionist and Theatre of Cruelty methods with allegorical characterisation.
Northrop Frye and his contribution to Canadian criticism
Question: "Frye's Anatomy of Criticism is a milestone in the history of Canadian literary criticism." Comment, and write an essay on his contribution to Canadian criticism.
Criticism should stand back far enough from the poem to perceive its archetypal and mythic connection with other poems.
Northrop Frye was born in 1912 at Sherbrooke in Quebec. His best-known book, Anatomy of Criticism (1957), stands alongside Fearful Symmetry (1947) and Fables of Identity (1963).
The argument of Anatomy of Criticism
- Against New Criticism: Frye rejects the idea that close linguistic analysis is the right perspective and that each poem is a self-contained unit.
- A literary universe: Archetypal and mythic patterns unify literature into an "order of words" created by the poetic imagination.
- Reservoir of archetypes: The poet draws on the archetypes and conventions stored in this literary universe.
- Historical criticism: The first essay classifies fictional modes by the hero's power of action.
Contribution to Canadian criticism
- Garrison mentality: In his Conclusion to A Literary History of Canada, Frye names the garrison mentality of a small, besieged society whose values cannot be questioned.
- A way past it: He later shows how this mindset changes as society grows complex and gains control of its environment.
Conclusion: By replacing narrow analysis with an archetypal and mythic vision, and by naming the garrison mentality of the Canadian psyche, Frye made Anatomy of Criticism a milestone in Canadian criticism.
The remaining 10 answers cover land as terror in first settlers' writing, the features of 20th-century Canadian poetry, Derek Walcott's hybrid poetry, the three-part structure of Surfacing, the Lacasse family in The Tin Flute, the diasporic psyche in The English Patient, Mistry's and Parameswaran's immigrant stories, Munro's "Sunday Afternoon", recent Canadian drama and Linda Hutcheon.
3. MEG 012 Syllabus: All 8 Blocks and 32 Units
MEG 012 A Survey Course in 20th Century Canadian Literature is an IGNOU MA English course of 8 blocks and 32 units covering Canadian contexts, poetry, three novels, short fiction, one play and literary criticism.
The block titles below match the official MEG-12 listing on eGyanKosh, IGNOU's digital repository. Units are numbered continuously from 1 to 32, as in the programme syllabus; some printed books restart numbering inside each block.
| Block | Units | Key topics to revise | Guess paper questions |
|---|---|---|---|
| Block 1: Contexts of Canadian Writing | 1. Canada: Land and People; 2. Literary Beginnings; 3. English Canadian Theatre and Drama; 4. Canadian Discourse on Nature and Technology | Land as terror, Susanna Moodie, Frye's garrison mentality, nostalgia for lost wilderness | Q1 |
| Block 2: Recent Canadian Poetry | 5. The Growth of Canadian Poetry; 6. Recent Commonwealth Poetry and Canada's Place in It; 7. Two Major Novelists as Poets (Atwood, Ondaatje); 8. Five Other Important Poets | Poetic upsurge of 1960 to 1973, the long poem, Walcott's hybridity, Omeros | Q2, Q3 |
| Block 3: Surfacing (Margaret Atwood) | 9. Development of the Canadian Novel; 10. Margaret Atwood: Life and Works; 11. Surfacing: Theme, Structure, Technique and Characterisation; 12. Surfacing: Language | Feminism, anti-Americanism, descent, exploration and re-emergence structure | Q4 (Sample 1), Q5 |
| Block 4: The Tin Flute (Gabrielle Roy) | 13. French Canadian Writing (Quebec); 14. Gabrielle Roy: Life and Works; 15. The Tin Flute: Structure and Theme; 16. The Tin Flute: Characterisation and Technique | Photographic realism, St. Henri poverty, Florentine, Azarius and Rose-Anna Lacasse | Q6 (Sample 2), Q7 |
| Block 5: The English Patient (Michael Ondaatje) | 17. Canadian South Asian Diasporic Writing; 18. Ondaatje: Life and Works; 19. The English Patient: Theme, Structure and Characterisation; 20. The English Patient: Technique | Modernist time and memory, Kip and Hana, plural identity in the desert | Q8 (Sample 3), Q9 |
| Block 6: Canadian Short Story | 21. Short Fiction and the Canadian Short Story; 22. "A Mother in India" (Sara Jeannette Duncan); 23. "Sunday Afternoon" (Alice Munro) and "Where Is the Voice Coming From?" (Rudy Wiebe); 24. "Swimming Lessons" (Rohinton Mistry) and "The Door I Shut Behind Me" (Uma Parameswaran) | Immigrant dislocation and fluid identity, Alva the maid, women escaping closed worlds | Q10, Q11 |
| Block 7: The Ecstasy of Rita Joe (George Ryga) | 25. Canadian Drama: The General Dramatic Scene; 26. The Writer and the Structure of the Play; 27. Theme and Characterisation; 28. Dramatic Technique and the Brechtian Angle | White apathy, the Magistrate, Artaud's Theatre of Cruelty, little theatre and regional theatres | Q12 (Sample 4), Q13 |
| Block 8: Development of Canadian Criticism | 29. Recent Developments of Canadian Criticism; 30. Northrop Frye; 31. Linda Hutcheon; 32. Smaro Kamboureli | Archetypal criticism, garrison mentality, ex-centricity, The Canadian Postmodern (1988) | Q14 (Sample 5), Q15 |
This guess paper is for the final stretch, not for a first reading. If you have not gone through the blocks at least once, begin with our MEG 012 Study Material and come back to these answers when you start writing practice answers.
4. MEG 012 Exam Pattern: Marks, Time and Question Choice
The MEG 012 term-end exam carries 100 marks over 3 hours; you answer any five of eight questions, each worth 20 marks, with no compulsory question.
| Exam element | What the paper says | What it means for your revision |
|---|---|---|
| Total marks and time | 100 marks, 3 hours | About 35 minutes per answer, with a few minutes left to check names and dates |
| Questions | 8 given, attempt any 5 | Prepare 7 topics well so a tricky wording never leaves you short |
| Marks per question | 20 marks each | Every answer needs a thesis, 5 to 7 points and a critical conclusion |
| Answer length | Recent papers ask for about 500 words | The file's 450-word models leave room for your own example or quotation |
| Sections | None; full choice across all eight | Four texts asked every session give you a safe core of four answers |
Because the choice is complete, a sensible plan is to lock four "banker" answers on the texts that never miss, then add two or three from poetry, short fiction or criticism so you have cover if one text comes in an unfamiliar angle.
5. IGNOU MEG 012 Important Questions: What Six Past Papers Show
Across six MEG 012 papers from June 2023 to December 2025, Surfacing, The Tin Flute, The English Patient and The Ecstasy of Rita Joe were asked every time, and Northrop Frye in five.
The table ranks A Survey Course in 20th Century Canadian Literature important questions by how often each topic appeared. HIGH means four or more appearances or a recent gap likely to return, MEDIUM means two or three, and LOW means one appearance or none.
| Topic | Block | Sessions asked | Count | Priority |
|---|---|---|---|---|
| Surfacing (Margaret Atwood) | Block 3 | Jun 2023, Dec 2023, Jun 2024, Dec 2024, Jun 2025, Dec 2025 | 6 | HIGH |
| The Tin Flute (Gabrielle Roy) | Block 4 | Jun 2023, Dec 2023, Jun 2024, Dec 2024, Jun 2025, Dec 2025 | 6 | HIGH |
| The English Patient (Michael Ondaatje) | Block 5 | Jun 2023, Dec 2023, Jun 2024, Dec 2024, Jun 2025, Dec 2025 | 6 | HIGH |
| The Ecstasy of Rita Joe (George Ryga) | Block 7 | Jun 2023, Dec 2023, Jun 2024, Dec 2024, Jun 2025, Dec 2025 | 6 | HIGH |
| Northrop Frye and Anatomy of Criticism | Block 8 | Jun 2023, Dec 2023, Jun 2024, Jun 2025, Dec 2025 | 5 | HIGH |
| Nature and land as terror in first settlers' writing | Block 1 | Jun 2023, Dec 2023, Jun 2024, Dec 2024 | 4 | HIGH |
| "Swimming Lessons" and "The Door I Shut Behind Me" | Block 6 | Jun 2023, Dec 2023, Dec 2024, Jun 2025 | 4 | HIGH |
| "Sunday Afternoon" (Alice Munro) | Block 6 | Dec 2023, Jun 2024, Dec 2025 | 3 | MEDIUM |
| Concerns of 20th-century Canadian literature | Block 1 | Jun 2025, Dec 2025 | 2 | MEDIUM |
| Characteristics of 20th-century Canadian poetry | Block 2 | Jun 2023, Dec 2025 | 2 | MEDIUM |
| Derek Walcott and Commonwealth poetry | Block 2 | Dec 2023, Jun 2024 | 2 | MEDIUM |
| Linda Hutcheon | Block 8 | Jun 2023, Dec 2024 | 2 | MEDIUM |
| Recent developments in Canadian drama | Block 7 | Jun 2025 | 1 | MEDIUM |
| Atwood and Ondaatje as poets | Block 2 | Dec 2024 | 1 | LOW |
| "A Mother in India" (Sara Jeannette Duncan) | Block 6 | Dec 2023 | 1 | LOW |
| Smaro Kamboureli | Block 8 | Not asked | — | LOW |
Recent Canadian drama is kept at MEDIUM despite one appearance because it came up in June 2025 and pairs naturally with the Rita Joe block. You can cross-check any session against the original papers on our IGNOU Previous Year Question Paper page.
6. How We Wrote the MEG 012 Answers
Each MEG 012 answer is written only from the IGNOU course units, mapped to a block, ranked by past-paper frequency and checked by a reviewer before release.
- Collect the papers: we took six MEG-12 term-end papers from June 2023 to December 2025 and listed every question.
- Tag by block: each question was matched to its block and unit, so repeat topics showed up even when the wording changed.
- Rank by priority: topics were marked HIGH, MEDIUM or LOW using the frequency grid above.
- Write from the book: definitions, dates, critics and examples come from the prescribed units, using terms such as garrison mentality, photographic realism and ex-centricity.
- Review: Sheetal Kirola checked each answer against its unit before the file went out.
We also tell you what to skip. Smaro Kamboureli has not been asked in these six papers, and "A Mother in India" appeared once, so the file keeps them as backup notes rather than full answers. The same method runs across our wider IGNOU Solved Guess Paper range, so each course file reads the same way.
7. MEG 012 Guess Paper File Index and Practical File Status
MEG 012 has no practical file: it is a theory-only literature course assessed through the tutor-marked assignment and the term-end exam, so here is a page-by-page index of the guess paper PDF instead.
| Pages | Section | What you will find |
|---|---|---|
| 1 | Cover and contents | All 15 question titles, target sessions and the "strictly from IGNOU book" note |
| 2 | Block 1 | Q1 land as terror, Moodie's Roughing It in the Bush, Frances Brooke, Grey Owl |
| 3 to 4 | Block 2 | Q2 features of Canadian poetry and six thematic trends; Q3 Walcott, Omeros and The Bounty |
| 5 to 6 | Block 3 | Q4 feminism and anti-Americanism in Surfacing; Q5 its chapter-wise three-part structure |
| 7 to 8 | Block 4 | Q6 Roy's realism and naturalism; Q7 the Lacasse family and the Lachine canal setting |
| 9 to 10 | Block 5 | Q8 modernist and postmodernist reading; Q9 Almasy, Hana, Caravaggio and Kip as fragmented selves |
| 11 to 12 | Block 6 | Q10 Mistry and Parameswaran on immigrant life; Q11 Munro's Alva and a feminist reading |
| 13 to 14 | Block 7 | Q12 Rita Joe's theme and technique; Q13 little theatre, Merrill Denison and regional theatres |
| 15 to 16 | Block 8 | Q14 Frye's Anatomy of Criticism; Q15 Hutcheon's The Politics of Postmodernism and ex-centricity |
| 17 | Read this first | Exam rules, what not to over-prepare, what examiners reward and the priority legend |
| 18 | Frequency analysis | Topic-by-session grid from June 2023 to December 2025 with priority labels |
| 19 | Closing page | Support contact on WhatsApp 9899436384 and the non-affiliation note |
Your assignment is separate from this file. Submit the MEG-12 TMA for your session on time, because the term-end result is only declared once the assignment marks are in.
8. A 10-Day MEG 012 Revision Plan
Spend the first five days on the texts asked in every MEG 012 paper, the next three on poetry, short fiction and Hutcheon, and the last two on timed writing.
| Day | Focus | Questions | Goal for the day |
|---|---|---|---|
| Day 1 | Surfacing | Q4, Q5 | Learn the descent, exploration and re-emergence structure by chapter range |
| Day 2 | The Tin Flute | Q6, Q7 | Fix the three Lacasse characters and the Joyce and Dickens comparison |
| Day 3 | The English Patient | Q8, Q9 | Link each of the four characters to one idea of fragmented identity |
| Day 4 | Rita Joe and Canadian drama | Q12, Q13 | Memorise Brecht, Expressionism and Artaud as three named techniques |
| Day 5 | Frye | Q14 | Write the garrison mentality paragraph from memory in ten minutes |
| Day 6 | Canadian contexts and poetry | Q1, Q2 | Connect land as terror to Frye so one idea serves two answers |
| Day 7 | Immigrant stories and Munro | Q10, Q11 | Keep Mistry's dates and Munro's Alva ready as concrete examples |
| Day 8 | Walcott and Hutcheon | Q3, Q15 | Learn Omeros (1990) and The Canadian Postmodern (1988) as anchor dates |
| Day 9 | Full mock | Any 5 | Write five answers in three hours without notes |
| Day 10 | Final polish | All conclusions | Re-read every conclusion and the key-terms list from page 17 |
9. How to Get the Complete MEG 012 Guess Paper on WhatsApp
Send "MEG 012 Guess Paper" on WhatsApp to 9899436384; once payment is confirmed on chat, you receive the full 19-page PDF with all 15 answers.
- Tap the button below or save 9899436384 and open WhatsApp.
- Send the course code MEG 012 and your exam session.
- Our team shares the price and payment options on chat.
- The complete PDF reaches you on WhatsApp after payment.
You have already read 5 of the 15 answers here, so the file adds the remaining 10 along with the exam rules page and the frequency grid. The same number handles any doubt you have while revising.
10. MEG 012 Canadian Literature Guess Paper FAQs
What does the MEG 012 guess paper contain?
It contains 15 solved questions for A Survey Course in 20th Century Canadian Literature, spread across all eight blocks of the IGNOU book. Each answer runs to about 450 words with a quoted opener, point-wise body and a short conclusion. The 19-page PDF also carries exam rules, a priority legend and a topic frequency grid covering six term-end papers from June 2023 to December 2025.
Is the MEG 012 guess paper enough to pass the December 2026 exam?
For most learners it is, if you revise it properly. You answer only five of eight questions, and four core texts, Surfacing, The Tin Flute, The English Patient and The Ecstasy of Rita Joe, were asked in all six papers we analysed. Pair the file with one reading of each block in your IGNOU book and you will have more than five strong answers ready.
Which MEG 012 important questions repeat most often?
Four topics appeared in all six papers from June 2023 to December 2025: Surfacing by Margaret Atwood, The Tin Flute by Gabrielle Roy, The English Patient by Michael Ondaatje and The Ecstasy of Rita Joe by George Ryga. Northrop Frye followed in five papers, while the land-as-terror theme and the Indian immigrant stories each appeared in four papers.
How many questions do I answer in the MEG 012 exam?
You answer any five out of eight questions. Each carries 20 marks, the paper is worth 100 marks and you get three hours. There are no compulsory questions and no sections, so the choice is complete. Plan roughly 35 minutes per answer and aim for about 450 to 500 words, since recent papers ask for answers of around 500 words.
Does MEG 012 have a practical file?
No. MEG 012 is a theory-only literature course, so there is no practical, lab or project file to submit. Your marks come from the tutor-marked assignment and the term-end exam. That is why this page gives a page-by-page index of the guess paper PDF instead, so you know exactly where each block and answer sits before you place an order.
Which IGNOU programmes include MEG 012?
The course is studied in IGNOU's Master of Arts (English), listed as MEG or MAEG, and in the Post Graduate Diploma in New Literatures in English (PGDNLEG). The guess paper follows the same eight-block book in both cases, so learners from either programme can use it without changes. Confirm your own course list in your programme guide before filling the exam form.
How do I get the complete MEG 012 guess paper?
Send a WhatsApp message to 9899436384 with the text MEG 012 Guess Paper. Our team confirms the price and payment details on chat, and the full 19-page PDF with all 15 answers reaches you on WhatsApp once payment is done. You have already seen 5 answers on this page, so the file adds the remaining 10 answers.
Are the MEG 012 answers written from the IGNOU study material?
Yes. Every definition, date, critic and example comes from the prescribed units of the MEG-12 book, including Frye's garrison mentality, Roy's photographic realism and Hutcheon's ex-centricity. We avoid outside guidebook content because examiners reward the vocabulary of the course material. Sheetal Kirola reviews each answer against its unit before the file is released to learners.
11. Who Prepared the MEG 012 Answers
The MEG 012 answers were prepared by the Unnati Educations academic team under Prateek Talwar and reviewed by Sheetal Kirola. Every definition, date and critical term was checked against its unit in the MEG-12 book before the file was released.